http://www.enescenahoy. com.ar/obras2009/octubre/octubre.htm
At first nothing, the dark. First of all question of doubt, the blank, uninhabited space.
The purpose of this group is surprising. The viewer, sitting comfortably in his chair and waiting to see a dance performance, you can feel disjointed. What is the work? What is this language, how to define it? It is dance, theater, music, is all that ... what is it? Is it a manifest in action? What do I say when I ask how was the play? This can be chained
a lot of questions.
Since the motion in the scene the work offers a different perspective. One that encourages thought, reflection, and puts into the mouths of the performers questions that arise many of whom are linked to the dance, either from production, research, development or writing. So you work out of box. Counsel is a constant where the public and the performers themselves are challenged. At stake
figure of the director, the relationship of movement and emotion, repetition, explanation, the public interpretation of what happens in the scene, testing, trial and error how to approach. A demarcated
white square of light, the performers act, dance, run and mark, communicate with technical and relate to those present including, actively in the construction of the work.
We enjoy music and dance while still ask what happens and be surprised by the changes that are introduced almost sideways in the situation. Questioning
A show that gives color to the card other dance today. Nea
Rattagan
The purpose of this group is surprising. The viewer, sitting comfortably in his chair and waiting to see a dance performance, you can feel disjointed. What is the work? What is this language, how to define it? It is dance, theater, music, is all that ... what is it? Is it a manifest in action? What do I say when I ask how was the play? This can be chained
a lot of questions.
Since the motion in the scene the work offers a different perspective. One that encourages thought, reflection, and puts into the mouths of the performers questions that arise many of whom are linked to the dance, either from production, research, development or writing. So you work out of box. Counsel is a constant where the public and the performers themselves are challenged. At stake
figure of the director, the relationship of movement and emotion, repetition, explanation, the public interpretation of what happens in the scene, testing, trial and error how to approach. A demarcated
white square of light, the performers act, dance, run and mark, communicate with technical and relate to those present including, actively in the construction of the work.
We enjoy music and dance while still ask what happens and be surprised by the changes that are introduced almost sideways in the situation. Questioning
A show that gives color to the card other dance today. Nea
Rattagan
