Engagement Wishes For Best Friend

Twitter + TV

could have been facebook could have been Myspace or any social platform today, but Twitter has a simple that makes it quite attractive to many people. In general, it is a platform used by people older than 20 years with the purpose of sharing some interesting fact or simply mention "what is doing right now," the place where it is at the precise moment " , etc. The limitation is fairly simple: You can only write a message of no more than 140 characters. You can follow the "twitter" to whomever you want (unless the author has declared a "private"), as well any you may continue (unless declared to be private or simply block a user) ... Simple right? Now, 140 characters? What you can express with 140 characters? ... Itself only specific things.

Even with this limitation, journalists, athletes, artists have made Twitter a way to maintain closer contact with the "public," getting awesome feedback. To give an example: Many drivers of television programs (entertainers, journalists, etc) have a Twitter and receive instant information on how the public is perceiving the program, involving them fully of the same, on the side of the press, may have important data in real time any news that is occurring in a particular place, simply by "twit" of any citizen. Another example was

the period of elections in my country, where television channels received much information from the "Twitterers" to what happened in every city, every polling place throughout Chile, thus facilitating the work of journalists in the field .

are already many programs and Chilean television personalities who hold accounts with this popular social platform and, in turn, receive the feed back from their "public" and create a link to close the relationship between both parties. Television has ceased to be a unidirectional media, to be fully bidirectional. The audience can say, see, criticize about what is being exhibited in your screen simply and communicators can improve the quality of their programs ... all with a simple "Twit."

How To Make Foor Scrub

CHRONICLE ROCK GLASSES

On day 12 in the spike at the end of the concert we met some people who came to give us your opinion on it. One of them was José María Pinilla Gómez, an occasional writer website: www.todoconciertos.com . The case is that We asked a few questions about what we touch, and promised to write a review.

We would like to thank you for such kind words and for being the first person to write something about us, really thank you very much! Here is the chronicle:

Intense weekend I've lived in the city Caliphate, which we moved on Friday to attend the concert at the Pavilion Joaquín Sabina Vista Alegre. The next night, having paid the necessary visit to Medina Azahara and the Archaeological Museum, we stopped for a beer bar in the highly recommended La Espiga. Within a very musical programming complete the trio acted tonight local Rock Glasses, unknown to a server and that pleased me greatly.

The group bills itself as "rock, blues rock and American music in general", but these boxes will never do it justice at all, because in my humble opinion musical spectrum is somewhat broader. Formed by brothers Aguilera (Antonio on bass and vocals and Alfonso on guitar) and Samuel to replace the battery after previous Ñete stick, offer a proposal that combines the performance quality, cleanliness and freshness in both versions as they in the songs.

With the limitations imposed by local, both in space and time of operation, while we miss hearing them found it most enjoyable. From here I promise to track down and recommend it to lovers of good music bluesrockera wave (or it could be wave stratocaster, since many of the musicians who play this legendary guitar influence).

As recommended I personally invite you to join some other genius of the Fender such as Ritchie Blackmore and also encourage them to continue to generate their own material.

Long live Rock and Roll.

Thank

Jose Maria!

PS: To see the review click here: http://www.todoconciertos.com/cronicas2009/12-12-09.htm

What Are Some Cydia Pokemon Rom Sources

Rock to

Glasses Rock This Saturday turned to one of its favorite places, tavern La Espiga, with the task of cleaning a little chaotic image of the last time you walked by there the group. So and as we move through here, we prepared a more intimate and relaxed concert with the local pitch dark and the only light a few candles. This time, learned the lesson we got off the volume and try to make the concert did not involve a problem for either the local or to the ears of those present.

The truth is that we enjoy very much and we loved the experience, so we are looking forward to repeating it as soon as we give a new date to return there. We play the versions that we had prepared and some new, like "Layla" by Eric Clapton, with whom he opened the concert, or "Wish you were here" by Pink Floyd, with which we close. Also went back to dusting some songs from the group a long time since we played as "Victims of passage" or "The Far Side of Evil", ideal for a concert of these characteristics to be something more tranquilotas and present some new, like "Dirt" style very Mark Knopfler.

Anyway, was brief but intense, and so things taste better. The next appointment is next week, namely 23 in the Nairobi Coffee, in the heart of Cordoba, right on the street Doce de Octubre. If you liked there, we'll see, but already in full swing, with the volume wheel in the position where it belongs to you vibrate the bowels to the public.

A big hug to everyone, and thanks for coming!

How To Break In Sandal

Candlelight Concert in the ear!

We return to play, and we do it in one of our favorite sites Córdoba, the tavern La Espiga, how good night of rock & roll has given us. The Tang is one of those charming places where the concert is an air purely family. Of course, this time, learned the lesson, we have prepared a concert in an acoustic format, since the last time we blew our team not only sound but also feared for the integrity of the enclosure.

Thus, we have been preparing in recent weeks in the new local versions, and returning to old songs from the group, to play them in a more quiet, but without neglecting our label, with a little blues and rock.

just two weeks ago we played at the Nairobi Coffee, but we're looking forward to it. Both Samu, as my brother and I are really enjoying the time that is the group, and we take full advantage.

And nothing else, you know, on Saturday December 12 at about 21:00 (very early) we will play in the ear, that you are all invited, and if you want to take good site will have to be punctual!
A hug!

More info: http://www.laespigacordoba.com/

Buses From Panjim To Dharwad Karnataka

This afternoon we went to Nairobi to pick up the equipment (What we like about the concerts), thence to the premises and then to take a cafelillo. Both Samuel and Anto and I could not take our word for how well things went on Friday night, and especially how well behaved people with us, who packed the place and did not stop dancing throughout the concert.

We were worried because lately we have not been able to rehearse a lot for work, and we had to take time out from under the rocks. It was also our presentation in Cordoba Samu on drums and wanted everything perfect. And luckily that's how it came out.

Now it tested more, get more songs in our repertoire and a few different version to the next concert. Hopefully in these coming days are successful and come out to play more dates.

Many thanks to all who come upon you, see you next time!

Indian Woman Showing Breast Hoto

impressive concert at Nairobi Nairobi Coffee Concert! Good start to the season

This week has been great for the group, because within days we have seen the concert schedule has been filled with dates. The first this Friday at Cafe 20 Nairobi, where last year we gave our last concert in Cordoba city, and chance would have it this year is the first in our city.

We were eager to play at home again, we are confident that we will take a great night, which in addition to having a birthday Anto, singer, bass player, manager and agent while group security.

and nothing else, you come all of you, we have developed a good repertoire of versions in addition to our new songs we hope you like them. By the way, we will start for that to 23:00 pm, and for those who know very well where the site is in the C / Doce de Octubre, perpendicular to the street theaters Alcazar no loss.

Well then, it said, see you Friday!

A hug!

Milena Velba Boobs Milk

Rock

glasses met their first match of the year at the Casino de Palma del Río, and finally we saw the trio in action with Samuel on drums for the first time in a concert that lasted 3 passes were growing in intensity and we feel that the group sounds more and more compact, although we still have much work.

could also play for the first time some of the new songs we've prepared for this year, as "the blues of beer" or the versions that we have prepared to go along playing this new campaign, although these do not advance to the listen live ...

and nothing else, now we stop rehearsing at the same time we are negotiating with important dates for both this month to the next, so watch for upcoming concerts, because we want to leave something before we dated Spike in December.

And that's all thanks to everybody who came to Palma del Rio to see us, and we do not expect to see you at the next! A hug!

Iphone Provider Update

And start the season ... first stop: Casino Ambiguous!

a year and return to the stage! With the same enthusiasm as the first day and we are counting the hours for which will be the first concert of the season, and what better place than the Casino de Palma del Rio!

could not have been better, we go home, to where they never seem to end the concert, where the public is always the brown bundles, where we had to fear ... We've lost count of how many magical nights Casino has given us, and we are confident that this will be one more.

What

when will this be? Then on Friday, October 30 at about 23:00 pm. Begins a new stage for Rock Glasses and a year full of new hopes. By the time he made his debut with us Samu, who has not the foggiest idea of \u200b\u200bwhat is to be found in Palma del Rio ...

returned to the Casino with the duty to clean up the image we gave at the last concert, in which more than a rock group acts as a "Macario Orchestra" and with the hope that we, and you come what a fucking move on.

back on the road! A hug.

I Want To Become A Deception Expert

10/08/1909. Note page 12. By Alina Mazzaferro

Http://www.pagina12.com.ar/diario/suplementos/espectaculos/13-15550-2009-10-08.html

THURSDAY, 8 OCTOBER 2009

DANCE

> LUIS Biasotto revival October (WHITE ON STAGE) IN THE VILLAGE THEATER

convex mirror of society

The founder of the famous group Krapp, likely to return soon, has a "no-work "that breaks all the canons of dance, which is supposed to make the public and even its own status as author and director.

By Alina Mazzaferro

If someone seems to have understood the concept of "open work" by Umberto Eco, this is Luis Biasotto. He and Krapp-famous group from Mendiolaza, the piece that led to travel the world, is characterized by mounting plays without a script, choreography without steps or a particular technique, since they exhibit their seams, which are assembled and disassembled before the eyes of the beholder. Scenic products are not simply the result of lengthy research process, with structures that are more like an eternal flow than a story with a beginning, middle and end, works that in no way close their senses, but allow these proliferate at ease and pleasure in every viewer's head. Today, Biasotto will find something away from Krapp-just for a while, but it may soon join the group again, "and this year has been released by his attempt to bring a show that all these premises to the end : October (white on stage), to be presented today and next Thursday 15 to 21 in the Teatro del Pueblo (Roque Sáenz Peña 943).

October: his name already sounds like a revolution. And indeed, the intention was to break with all the fees, which are supposed to be a dance work, which is supposed to make the public, which is supposed to dance, act, go to theater. Biasotto put everything in question to its own status as author and director. After having spent time in the lineup at the Cultural Center of Cooperation, opened the debate and work with it installed two sides with opposing views: on the one hand, those who praised the courage of Biasotto, the other, which complained of such anarchy. In the middle were those who appreciated that "art is contemporary, but that is not understood anything." Sure it was not just "understand" what the public should do the work. Rather, Biasotto sought the opposite: disorienting. And above all, to think. "What place is the art today? How can we stand ourselves against it? What happens to the viewer? "Are the questions that functioned as triggers of this piece to your operator defined as anti-entertainment or non-work. He explains it: "This idea of \u200b\u200bfreedom from work, the starting point for work was the moment when the dancer stops being a dancer to be an interpreter by name. Heiner Müller spoke of the death of actor and that led me to think about the death of the author who proposes Roland Barthes. "

- And how to put that concept into practice?

-my point here is that any role is interchangeable, replaceable. The work, beyond that I lead, is all. Everyone has some people around us in everything we do, the influence is constant. This means that once it is put into play the scenic work, somehow the author disappears.

- does that mean also review site dance and their means of production?

realize a critical-especially the old dance focus on the object, the autonomy of dance as an art. I'm pretty tired of seeing the same thing, you know what I will do before taking the entrance, only to point to market success and few will risk looking for a change. I am saddened to see that managers always play it safe.

-October seeking public participation. What do you expect of him?

I do not know if I expect something from the public. But the viewer can no longer remain a spectator Kant, where the axis passes only by what you see. Elena Olivera talks about the twenty-first century viewer to see some type of work, you must know a little art history, philosophy and other things. For there is much to ask, but I think the public should handle certain information and get used to not only go to the theater to entertain or to tell you a story. Should go home with questions and not talking about how nice it moved the dancers. In some sense, dance is a mirror, inverted or convex, of society. But think should be the responsibility of everyone and not a few. More than a participatory audience, I expect an active public.

"Some criticism to work really wondered if it was a dance work, if such freedom was not "dangerous" is also argued that the piece appeared on television because "idiot" and many called it "one of those works the viewer does not understand. " Would you like to answer that?

"The artist's freedom is the basis for the creation, is the reason why most of us involved in it started working. To say that freedom is dangerous sounds a bit fascist. Other criticisms are fairly trivial for me enter the game. For example, a magazine wrote that the mine was a show of contemporary art but of those you walk to see and understand nothing. "But what makes a urinal in a museum?!", Had said the same critic. People are used to see traditional performances or at least quite apprehended, seeks to understand what they are seeing. Believes that dance is a certain way and you must meet certain requirements, such as dancing, for example. Not that my work is cryptic or anything, but my show does not have the usual look of the dance. You have to look at it from another location. Find a distant edge of the common and at the same time is very simple: it is outside of the recognizable aesthetic. And I think the most difficult for the critic is that the show presents its own critique. It is radical and that causes some anger. Comes as a surprise to the public, found that instead of being mere voyeur is co-creator and should look at himself.

"Then you consider that a work can be choreographed to include steps despite not belonging to any technique developed?

I do not know. Before, I would say yes, because I come from the dance and in my work speak from the dance. This work is dance, but with little sense of going out dancing.

- Can you reflect upon your work on the road that takes contemporary dance today?

"Except for some cases, current contemporary dance is very risky, very stuffy, devoid of reflection. My contribution can be very large or negligible, depending on who you look, try the viewer aware that dance is not less than other arts and the dancers not only dance, and to assume certain responsibilities, to review its position respect to the subject intellectual dance.

- you surprised that the work could be so controversial?

-I sensed that something would happen. But the intention was not polemical work or impact, but to present what I believe is happening today with certain languages, such as dance. The polemic is angry or is the average viewer who refuses to change her chocolate bread. Go to the theater is a gamble, perhaps to come bet the wrong animal, but those who want to see always the same horse win not interest me.

Intitle.:toshiba Network Camerauser Login

We're back! Glasses

Hi Everyone ace! I find it strange to write after of so much time on this blog, but also fills me with joy. I suppose you are wondering what he has had this tremendous break and that almost "disappearance" of the group ... and for that we are here to clarify everything!

Basically we've been away because we have suffered a decline in the group, so, our cousin Ñete, who started with us for now at least 6 years in this music has left us. In the last few months of last season was difficult for the mutual interests of each of the components of the group, so much so that at the last concert Ñete not come to play, and we had to improvise with battery.

When things were not going well, we decided to find a new drummer, back in May. And yet having found a substitute, netting again to ask for a new opportunity, an opportunity that he returned to give, of course, but who returned to discount.

But hey, do not think that the thing has ended badly, it is normal that everyone in your life choose their preferences and interests, for it is his life. And Alfonso Anto and ours we have very clear: we love the music, this is more than enough to go forward.

So this summer we have continued to go to rehearsal, trying to float the group, and fate would have a kid to call us after seeing a poster of "wanted Battery" on ships. This guy is the new Rock Glasses battery, and is called Samu. Ah, despite the smug look of the photo, is harmless. Samu

The arrival of the group has made an enormous difference, not only in the very musical aspect but also on a personal level. After so many years playing with the same battery has not been easy to find that insight, but little by little we are getting. Samu is willing, like us, play and live.

Although many do not stop to ask when we will return to play, we have hurry. When we do we want everything to be perfect. However we are beginning to find dates, and we want to start by November. The first day of the year (so far) is the December 12th in our beloved tavern "The Ear" as memorable moments that has given us, but it sure will more shows before it.

Finally, we embark on a new path, with a lot of hope, as always ... and I said, we are willing to play live and you hear the "new sound" Rock Glasses. A big hug!

PS: This year we released Myspace, where it soon will post the new songs!

Take a look ... Http://www.myspace.com/gafasderock

Pokemon Doujinshi Jessie

revival!

OCTOBER

(A WHITE ON STAGE)

four unique functions

September 24, 1, 8 and 15 October

Thursday, 21 hs.

Teatro del Pueblo

Roque Sáenz Peña 943

Reservations: 4326-3606 or 4394-2639

Tickets: $ 30

Desc. Students and Retired Persons.

Sample Letter To Disconnect Mobile Connection

We are back!

How To Get Used To Drops Roller Coasters

Rock lives!

someone you still there? is a pleasure for me to re-write a few words on the blog and take some step that has caught the cobwebs in this last frantic month of June ...
Why this neglect has had extreme? Basically the guy who writes the blog (a server) unfortunately does not live music, and has been fully immersed in the selection process for entry into the body of primary school teachers.

Specifically

I have not written anything here since it was the last concert of the campaign on June 7 at Casino Ambigú ... What was that like? You can imagine, great! Not only for the casino, but the fun was out of step with the drummer low, Ñete ... My brother and I did what we could to percussion ...

This concert could not have been possible without the unconditional support of op Joch, photographer, spiritual advisor of the group and, now, also guitar and bass ... without it we could not have ended this campaign of concerts ... was a performance worthy of the great Rock, thank you Jochop ...

Anyway, this has been 8 concerts that we have this year, not bad for the year of the resurgence of the group, but we hope to double the number at least for the course comes ...

And last summer came back so I guess I give up this blog for a while ... What we do in the meantime? For among other things we have in mind to record a demo with all the songs that have emerged this year, knowing that in November we have an appointment to enter the recording studio IAJ (Instituto Andaluz de la Juventud), and Myspace also want to create a group where we can hang music, and will work alongside the blog ...

And just finally have time to play the guitar, reading, painting, to go to concerts, listening to Bob Dylan on the beach, to live the life ...

Next stop on Saturday in the Axerquía of Cordoba to see a large, John Fogerty, former leader of Creedence for many years.

Enjoy it!

Laser Printer Borderless Printing

The vacuum makes sense

http://www.enescenahoy. com.ar/obras2009/octubre/octubre.htm

At first nothing, the dark. First of all question of doubt, the blank, uninhabited space.
The purpose of this group is surprising. The viewer, sitting comfortably in his chair and waiting to see a dance performance, you can feel disjointed. What is the work? What is this language, how to define it? It is dance, theater, music, is all that ... what is it? Is it a manifest in action? What do I say when I ask how was the play? This can be chained
a lot of questions.
Since the motion in the scene the work offers a different perspective. One that encourages thought, reflection, and puts into the mouths of the performers questions that arise many of whom are linked to the dance, either from production, research, development or writing. So you work out of box. Counsel is a constant where the public and the performers themselves are challenged. At stake
figure of the director, the relationship of movement and emotion, repetition, explanation, the public interpretation of what happens in the scene, testing, trial and error how to approach. A demarcated
white square of light, the performers act, dance, run and mark, communicate with technical and relate to those present including, actively in the construction of the work.
We enjoy music and dance while still ask what happens and be surprised by the changes that are introduced almost sideways in the situation. Questioning
A show that gives color to the card other dance today. Nea
Rattagan

White Patches After Eyebrow Wax

commentary on: October (white on stage)

http://resenasdecineyvida.blogspot.com/2009/06/octubre-un-blanco-en-escena.html

June 11, 2009

A white scene? reflection, or staged?

In these times of widespread nonsense, it's nice that someone thought involving all LA. In October not know much going on: and who danced, and when finished, and who goes. The certainty is that artistic creation (and why not, any creative act) involves having a profound, funny, collectively. When the virtuosity is not enough, when the show only excites us be meaningless, the question arises: what to do?

much noise in both stimulus contemporary stage stop and a question is worth more if well managed. When we are called to share insights and searches are less solxs, I think.

Now, where to start or how is a debate that concerns us all LA.

Highly recommended.

Watch Movies On On Tv Off A Usb

New Zelda?

For very specific reasons, this year was the first in which I could not see (live) Nintendo Conference of bygone E3 [1] 2009. Nor do I have the time to download and watch videos in the comfort of my home, which has kept me very outdated as the entertainment giants will offer their customers.

Today, talking with a friend, I saw this picture (thanks for the tip, Zel)

As expected, this image has already been created a sea of \u200b\u200bspeculations in forums related to this particular game, as Sheikav [2] give an example.

What if the girl is Midna, if that is the spirit of the Master Sword, etc, something that could explain this small illustration. A girl, Link does not carry a sword, the clothes of the girl referred to allude to the sword, if it is directly below the TP or not and a number of things we will not know until we get the game on our hands.

date, as far as I know, is uncertain, but I have great faith that it will be a great game. It turns out that, as soon as I could find out at E3 (and correct me if I'm wrong here) The development will by Retro-Studios [3]. This developer was able to create (to my taste) truly works of art with Metroid, therefore, whether they will be in charge of a game like Zelda can wait (hopefully so) a game with good graphics engine (although it is not safe to use the same as the TP), a great difficulty and, well ... to show us a story miyamoto renewed.

to expect, nothing more ...

------- [1] http://www.e3.net

[2] http://www.sheikav.com

[3] http : / / www.retrostudios.com/

Brighten Single Millionaires Lyrics

We return to Casino! Magic Blues

So, after a period of drought dates back to play at home Casino ambiguous in Palma del Río (Córdoba). To mark the birthday of our dear friend Tori, local manager, on Saturday June 6 which possibly give the show which closes a cycle, since input and in summer the thing tends to loose, like it should be Hagall to go to rehearsal, the temperature in the summer months surrounding the "staggering" number of 50 º.

Once again, we are confident that audiences will respond Palma as always, and will spend another Saturday night to remember. With this concert we bid farewell to our dear friends palmeña until after the summer. So you know, hope to see you all next day 6 at around 23:00 in the Casino!

A hug!

Do You Get An Erection During Waxing

"A body invaded by words"

http://www.imaginacionatrapada.com.ar/Teatro/2009/05/26/octubre-un-blanco-en-escena-un-cuerpo-invadido-por-palabras/

Aeneas

representation and there exists as such, because that which is never represented is the work . Everything is triggered as an unexpected sequence of events that show the before the performance, and that's representation. The nude scene is a skeleton that, at times, crumbles and falls to reassembling otherwise.

"October" as a work proposes a metalanguage. The same director involved in the scene to fill empty phrases transcendental projection, that is nothing. It reflects on the action before, during and after being executed . The work is part of a network of imaginary contents of world of dance, some of which are reflected in the returns made by the director to the performers ("- how does by the way, be more effective. ") The place d director, dancer, the public, representation and dance is questioned, the latter being one of the great questions that basic functions: What is dance? How should it be a dance piece ? When does the part where they dance? "Any dance is art? Is this a dance piece ?

The public is called to share . Some objects are arranged on the seats to be brought to the stage. The director makes use of its role and leads to new entrants. Microphone in hand, displays a short list and says, "in row 3, seat 4. " The purpose of participation wallow in themselves, reasons not discovered until the end. The result: the representation of a crime made public. (?)

Within the public also are some intruders. That is, actors beyond dubious membership. But we do not realize this until something sticks. The difference is given by the eccentric trait that exceeds any behavior on this side of the stage. The scenario unfolds, and we realize that not everything is what appears .

The participation takes two qualities. On the one hand, participation the public, a kind of helper / builder of a scene, the results have little to do with what was growing, but function as a wink or joke in the play. For another, the performers in the audience that, through his speech and his actions, reconfirm sites that were already questioning pose. The place of critical eye is constructed in the eyes of the public, but not for him.

danced Small fragments (in response to the question, when will the dance ?) Form, in contrast with all this meta-discourse, moments of pure sensuality. One of the dancers to a viewer chooses to devote a dance. For this calls for the others to close their eyes. And, as one resists the temptation to look , the dance becomes a big dedication of sensuality, guided by the pure dance desire to dance and to create that intimate moment, guarded by many, but led to one. At other times the body get carried away by the music and flows within that time and space accurate musical performance is also part of the scene, leaving pure matter exist as full of energy, full (again) of desire.

Reflection is the cutting that energy, that returns the body to the head, and opens new Compartments include it. And we talk of compartments, because we could take each issue of which we speak, and which is operated under a concept framing. The discussions are extended and we are facing common places, places and somewhat exhausted, because the answer does not exist if not as a new art form, to renew in us a bond of undecidability with art.

Do You Think This Is Awesome??

later

Last Sunday my brother and I we went to the slide at about 17:00 pm, where we hoped Jochop, our spiritual adviser, to see some of the concerts that have the Blues Festival This year ... but to our misfortune, when we had finished everything ...

Back in someone jokingly said, "Well, then let the Jazz Café to play for a while" ... the fact is that while passing through the gate of the famous venue, we looked out and saw a group of wise improvising blues with a guitar, bass and harmonica, and since we had missed the concert, what the hell, we to be satisfied with good music.

My brother Antonio was the first to break the ice, approached the group and asked them if they cared to accompany them on drums ... they at first distressed by the possibility of that it was a young man brought up in the euphoria of any alcoholic beverage did not hesitate to give the nod ...

And so began an unforgettable evening ... we were about two hours improvising blues, swing, bossa ... with formidable rates emanating blues all sides, including the organizer of the Festival de Blues de Córdoba.

Anto, Jochop and I, along with them, we were inserting the guitar, bass and drums, and we agreed to meet again on Tuesdays in the same place where they gather to improvise.

No doubt we'll be there!

Bulk Powdernattokinase

Octubre.Morir to be born in the fragment of a moment

O http://www.danzanet.com.ar/index.php?option=com_content&view=article&id=92:octubre&catid=41 :-contemporary dance-and-society & Itemid = 63 Ctu rope. Dying to be born in the fragment of a moment

Contemporary Dance and Society

Written by Ana Gonzalez Vañek

October, the latest offering from Luis Biasotto, allows us to make an approach to certain concepts before trying to be understood from a purely intellectual position, invite us to reflect on the relationship between theory and practice. Because as we know, the concept does not exist unless it is in and by a practice that makes it possible. October (white on stage) allows us to inquire about what happens inside the field of contemporary dance in Argentina from a story that, although it has the necessary structure that allows its existence as an artistic object, it brings us closer to a completely different way. In addition to generating a break with the representation and structure of the traditional work in the creation of Biasotto, who first instead takes a job directly related to the public, scenic breaks time showing real time. The same happens with the space, whose limits are continuously deleted and appear and disappear breaking the conventional stage space. Biasotto 's work is presented as a mental and reflective work, which in turn contains visual elements clearly confused the viewer. Because that's the intention, an intention no less ambitious and risky which involves the possible lack of questions by a public often accustomed to a particular interpretive logic in other formats used to show ties to the entertainment. The October director considers that often the work of art is to give answers, questions but no answers. And though at times is revealed in this way, theirs is not a work designed to entertain but to open questions. In this sense, it is interesting to note that Luis Biasotto articulated the creative development of his work with the idea of \u200b\u200bthe death of actor Heiner Muller, an idea that refers to the possibility exists for the viewer to see the real subject of a work. "For me the important thing is to find the time, that second you stop to see the character to see the real person. That it relates to the death of the author of Barthes. This is the general pose nearly all the work, "he says. In The Death of the Author, Roland Barthes argues that a text consists of multiple writings from various cultures. Thus, they generate a parody dialogue, an answer. Then states that there is a place where this multiplicity is collected, and that place is not the author but the reader. Given article by Arthur Danto, The End of Art, where the author tries to think what kind of boundaries separating the real objects of art by proposing a reflective rather than visual recognition, Biasotto has a job that also allows us to discover figure of an artist committed to his space and time, thus approaching the need to generate a thought, an active discussion, as such, favors a form of dialogue with the artwork. October, which features reviews, self-critical and references through which the viewer is recognized and re-meets his own experiences, has its analogy with an unsolved case, no conclusion. Like life itself, but through historical and cultural evolution has made us children of a Cartesian tradition, facing up and constantly to the need to define and answers, is incomplete and indecipherable in each of the fragments a moment that, paradoxically, also must die to exist and thus manifest in what we call "meaning." So Biasotto presents a work in which different languages \u200b\u200bare interwoven to show a place where there are no more goals ... or where perhaps the only goal, is the most difficult to generate a route that includes, in its eternal becoming, looks they want, yearning, seeking to understand not defined, trying to see beyond what meets the eye. Cultural Cooperation Center Corrientes 1543-Tel: 5077-8077 Thursday, 21 hs. Locations: $ 25

Gay Cruising Etticate

Balletin DANCE MAY 2009

COMMENTS

Motion Interactive

By Valerio Cesium

The final assembly of Luis "Krapp" Biasotto is proposed as open and informal game, released in late March at the Cultural Center of Cooperation

O ctober-a Scene White has his script and its look decontract two fundamental traits construction your profile. situations preserving what would reiterate random signals or movements improvised changes of roles and characters that embody so seemingly oblivious to the axis of the piece, both ingredients reported postmodern identity.

October ... reflux suggests a certain aesthetic. On the one hand most of what appears to be improvised or casual, reveals studied and repeatable. On the other hand everything that belongs to the apparent fixed structure is swimming in a casual way and improvised in performance.

An avenue of two hands that generates wealth dramatic. Many problems that staging of this kind must face, starting finishing the script and acting. In the first challenge is Biasotto overcame his line of argument is organic and articulated. The second time will tell, for now the casting does not end with the proposed fine-tuned. Sure to be enjoyed many moments of staging, by his wit and honesty that shines through even in the most naive, justifying them as valuable for placing significant, which prioritizes the veins conversational and interactive.

Interactivity is a concept that "the agenda" of contemporary thought, and thus legitimized as an important tool for the performing arts. There are cases where it is recorded as a substantial tool for the creation and there are others in lso works as a crutch, as a means outside the organic expression of a creator.

The nature of October ... is interactive, not only because it offers many bridges with the audience (which incidentally are the most fragile artistic passages), but the fabric of your script, yarn exclusively with experiential lines involving interpreters and members of group director.

When working directly with the fourth wall (the audience) there are many codes that change. Starting with the attitude (art) that the situation puts the performer and culminating with the ability to react and use of the material that appears, and the performers have to develop (after, of course, a comprehensive resolution training situations as require this type of work).

Biasotto The troupe did not escape the barriers that block the flow of the narrative stage.

Certainly in the season be secondary assembly will gain its own timming, regardless of its duration (at its premiere just over an hour) and you can win communication.

Finally remains whether it is a dance performance. Perhaps not (is that even scary?). And maybe not even try a show about dance, despite numerous citations and commendations. What it is-certainly a spectacle of dance, and choreography by the existence that he is, and gets recommended as a valuable vaccine at stylistic skepticism, endemic enemy of renewal. _

Hair Style Phtograph Of Vegina

NOTICE TO PARISHIONERS

Hello. Good:
As you have seen, I have published the outcome of the two long stories. And they've finished the first year of the Pub (# Happy, happy in your day #)

Although not the aim of this project, I paralyze to devote to other issues that prevent me from these be as regular updating and publication of accounts. (And NO. not prove with active bifidus,-P).
Quiet is not a final goodbye. I thank these people for almost 1000 visits (Vale, Aunt Sorrows. I know 990 of them have been you. A kiss from your favorite nephew.,-D)
Jokes aside: For those who have declared followers of the blog, send them a big hug and lots of "Wednesday" to continue with their projects, not just virtual, also in life in general.
Good luck to all. Some day soon (I hope it) the New Moon Pub will reopen its cocktail menu with new and passionate. For those who come for the first time: Welcome and sorry for the mess, I recommend you do not judge this tiny space in the blogosphere for this latest entry.
Here are some stories to read. Without any other claim you'll have a good time.
And now I close the blinds and hung the sign: "Closed for the publican leave, to head for my new tasks and only I have to write my sentence emblem

Kisses to all

PD: That does not mean they do not come to your blogs. And as a consolation gift I offer a beautiful song from a movie super freak " The origin of love" performed by Hegwid and the hungry inch "Seek the Courage Pub Jukebox is free!;-D