COMMENTS
Motion Interactive
By Valerio Cesium
The final assembly of Luis "Krapp" Biasotto is proposed as open and informal game, released in late March at the Cultural Center of Cooperation
O ctober-a Scene White has his script and its look decontract two fundamental traits construction your profile. situations preserving what would reiterate random signals or movements improvised changes of roles and characters that embody so seemingly oblivious to the axis of the piece, both ingredients reported postmodern identity.
October ... reflux suggests a certain aesthetic. On the one hand most of what appears to be improvised or casual, reveals studied and repeatable. On the other hand everything that belongs to the apparent fixed structure is swimming in a casual way and improvised in performance.
An avenue of two hands that generates wealth dramatic. Many problems that staging of this kind must face, starting finishing the script and acting. In the first challenge is Biasotto overcame his line of argument is organic and articulated. The second time will tell, for now the casting does not end with the proposed fine-tuned. Sure to be enjoyed many moments of staging, by his wit and honesty that shines through even in the most naive, justifying them as valuable for placing significant, which prioritizes the veins conversational and interactive.
Interactivity is a concept that "the agenda" of contemporary thought, and thus legitimized as an important tool for the performing arts. There are cases where it is recorded as a substantial tool for the creation and there are others in lso works as a crutch, as a means outside the organic expression of a creator.
The nature of October ... is interactive, not only because it offers many bridges with the audience (which incidentally are the most fragile artistic passages), but the fabric of your script, yarn exclusively with experiential lines involving interpreters and members of group director.
When working directly with the fourth wall (the audience) there are many codes that change. Starting with the attitude (art) that the situation puts the performer and culminating with the ability to react and use of the material that appears, and the performers have to develop (after, of course, a comprehensive resolution training situations as require this type of work).
Biasotto The troupe did not escape the barriers that block the flow of the narrative stage.
Certainly in the season be secondary assembly will gain its own timming, regardless of its duration (at its premiere just over an hour) and you can win communication.
Finally remains whether it is a dance performance. Perhaps not (is that even scary?). And maybe not even try a show about dance, despite numerous citations and commendations. What it is-certainly a spectacle of dance, and choreography by the existence that he is, and gets recommended as a valuable vaccine at stylistic skepticism, endemic enemy of renewal. _
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