http://www.revistallegas.com.ar/mayo09/notateatro1.html
IF A WORK IS CALLED OCTOBER AND ALSO POSES A break with traditional structures, it is impossible not akin to the events of 1917 and 1945. LUIS Biasotto, its ideologist and DIRECTOR, discard it. Anyway, October is an experience worth living.
With a good background in theater and dance, ten years ago came to Buenos Aires Luis Biasotto for further training because he had won two scholarships (Torches and National Endowment for the Arts). His idea was to return later to continue your search Cordoba or abroad. Here she studied drama with Daniel Veronese and Alejandro Tantanian, and acting with Ricardo Bartís. "I studied a lot with Susana Tambutti, which opened my mind about watching the dance, for me, is one of the most important of this activity, along with Roxana Grinstein."
When in 2001 the group Krapp (Edgardo Castro Fernando Tur, Gabriel Almendros, Luciana Acuña and the same Biasotto) premiered not kiss me?, the public began to have many questions and they, to gain recognition in the city's scene. Since then, alternating work and seasons together with projects that each faces. "What we're about Krapp is that we need to take away, like a family, everyone has to do things, take a breath, learn elsewhere. It is a matter of personal growth, "says Biasotto that without such" family ", just released in October (white on stage). And he explains: "I speak from me, from what I get off the dance today, what I see of dance today, its language and what is happening to the language itself. So it makes self-criticism, criticism and references that are not grievances. As I pointed out some friends, October is an approach that is half a thesis, a clear silly little boy of the dance language. " Not stupid or tiny: Biasotto "performs a deep look at the creation of a dance that, while it is applicable to the genesis of any play As a group emerged from the proceedings.
In October 2007, the team began a search relaxed about deadlines but intense in its objectives: a further step in the language of dance to the conceptual and display such a radical step. But that step did not respond to a formula nor had certainty about him, so much of the work consisted of a persistent series of trial and error, I try and discard, armed and back to zero. Certainly no dogma is the challenge of giving money to any method that shortens the road because the road is essential to the certainty (and this is contrary to faith, that can jump over gaps, and how much is being in the City stages). Besides, in October, the path of error is bright because lead is allowed to play judge the error, and so demonstrate the patterns and pitfalls that have created processes. Processes, as we know, and we, at times, their results seem to procedures.
Luis Biasotto says: "Heiner Müller said that when an actor is confused, you start to see who acts, led the dance, the slightest mistake makes you stop seeing the dancer and you see the person dancing. This idea is in part what triggers this pose, and that I associated with the death of the author and the idea of \u200b\u200bwho leads and who is not. As a start, was walking a bit lost. " A no doubt his words, because October is a pretty stingy quagmire happy when providing support points, whether to the public or performers, and yet (and thankfully!), Or about the temptation to be a tight show, exclusive to understand or complacent snobbery.
- and from that go missing, how to organize? Because in the middle of it all broken that plants, me, the viewer, you're carrying in her arms.
- There are several lines that begin to associate, on one hand, the rupture, the autonomy of the stage, so that I will invade and you do not know how far. At first we thought it much stronger, with cameras at the entrance and interviews to the public at the exit, leaving at all clear, but greatly extended. On the other hand, once we begin to venture ideas and interested in a basic format of assembly, was organized in connection with working in real time. Then, in the format, it was ordered according to what I was having a logical channel related to space and time.
of logic and hobbies
The mere sound of the word "logic" would appear as an attack in the midst of this confusion, this flirting with the absurd. However, once submitted some breaks and freedoms, October is heading in a proposed railroad along the rails. It's like talking to a madman, it will be very crazy for us, but not crazy but has twenty one, and since then always linked.
And speaking of crazy, there is a game and the story unravels tangled intimacies of almost manic need for returns and corrections, just away from your site / original time, manifesting as tics acquired known in advance, perhaps even rehearsed.
It seems necessary to point out that if I have hitherto spared even give hints about what happens in October was not because it is a work in which the leak of one fact would be enough to topple. Not so. The shift of all limits, space exploded, ambiguous roles, the author in construction rather than the text itself, the director diffuse and even the public does not know if it is such, generate such collusion between the show and the viewer that this well can go home knowing also the creator, so little will to bring you to come and take the post, namely his seat, because the successor likewise have the opportunity to do their part. So in October can be understood and enjoyed as a post-encompassing conspiracy, related in no small way to another conspiracy occurred randomly in a not so distant October. And although not by chance referring to those Octobers in which stormed the town as the protagonist, the 1917 and 1945 - it is impossible to think of revolution, which resonates in the very name of this month. Of course the same Biasotto states, both personally and chat scene, the title should be the month in which began the search that led to this show, but is it true? "He tells me in response or as quoted what was said in the play? While the billboard
alternative circuit provides increasingly find jobs that can sense, when there is no evidence-even the attempt to achieve results, Luis Biasotto proposed in October, but are not an informer, as an excuse to take a group embarked on this attempt and, instead, get him a result he did not know when you start the creative process, but that was thanks to the confidence that he and his team have had on the seriousness of your search. FIGHT
Bordegaray
With a good background in theater and dance, ten years ago came to Buenos Aires Luis Biasotto for further training because he had won two scholarships (Torches and National Endowment for the Arts). His idea was to return later to continue your search Cordoba or abroad. Here she studied drama with Daniel Veronese and Alejandro Tantanian, and acting with Ricardo Bartís. "I studied a lot with Susana Tambutti, which opened my mind about watching the dance, for me, is one of the most important of this activity, along with Roxana Grinstein."
When in 2001 the group Krapp (Edgardo Castro Fernando Tur, Gabriel Almendros, Luciana Acuña and the same Biasotto) premiered not kiss me?, the public began to have many questions and they, to gain recognition in the city's scene. Since then, alternating work and seasons together with projects that each faces. "What we're about Krapp is that we need to take away, like a family, everyone has to do things, take a breath, learn elsewhere. It is a matter of personal growth, "says Biasotto that without such" family ", just released in October (white on stage). And he explains: "I speak from me, from what I get off the dance today, what I see of dance today, its language and what is happening to the language itself. So it makes self-criticism, criticism and references that are not grievances. As I pointed out some friends, October is an approach that is half a thesis, a clear silly little boy of the dance language. " Not stupid or tiny: Biasotto "performs a deep look at the creation of a dance that, while it is applicable to the genesis of any play As a group emerged from the proceedings.
In October 2007, the team began a search relaxed about deadlines but intense in its objectives: a further step in the language of dance to the conceptual and display such a radical step. But that step did not respond to a formula nor had certainty about him, so much of the work consisted of a persistent series of trial and error, I try and discard, armed and back to zero. Certainly no dogma is the challenge of giving money to any method that shortens the road because the road is essential to the certainty (and this is contrary to faith, that can jump over gaps, and how much is being in the City stages). Besides, in October, the path of error is bright because lead is allowed to play judge the error, and so demonstrate the patterns and pitfalls that have created processes. Processes, as we know, and we, at times, their results seem to procedures.
Luis Biasotto says: "Heiner Müller said that when an actor is confused, you start to see who acts, led the dance, the slightest mistake makes you stop seeing the dancer and you see the person dancing. This idea is in part what triggers this pose, and that I associated with the death of the author and the idea of \u200b\u200bwho leads and who is not. As a start, was walking a bit lost. " A no doubt his words, because October is a pretty stingy quagmire happy when providing support points, whether to the public or performers, and yet (and thankfully!), Or about the temptation to be a tight show, exclusive to understand or complacent snobbery.
- and from that go missing, how to organize? Because in the middle of it all broken that plants, me, the viewer, you're carrying in her arms.
- There are several lines that begin to associate, on one hand, the rupture, the autonomy of the stage, so that I will invade and you do not know how far. At first we thought it much stronger, with cameras at the entrance and interviews to the public at the exit, leaving at all clear, but greatly extended. On the other hand, once we begin to venture ideas and interested in a basic format of assembly, was organized in connection with working in real time. Then, in the format, it was ordered according to what I was having a logical channel related to space and time.
of logic and hobbies
The mere sound of the word "logic" would appear as an attack in the midst of this confusion, this flirting with the absurd. However, once submitted some breaks and freedoms, October is heading in a proposed railroad along the rails. It's like talking to a madman, it will be very crazy for us, but not crazy but has twenty one, and since then always linked.
And speaking of crazy, there is a game and the story unravels tangled intimacies of almost manic need for returns and corrections, just away from your site / original time, manifesting as tics acquired known in advance, perhaps even rehearsed.
It seems necessary to point out that if I have hitherto spared even give hints about what happens in October was not because it is a work in which the leak of one fact would be enough to topple. Not so. The shift of all limits, space exploded, ambiguous roles, the author in construction rather than the text itself, the director diffuse and even the public does not know if it is such, generate such collusion between the show and the viewer that this well can go home knowing also the creator, so little will to bring you to come and take the post, namely his seat, because the successor likewise have the opportunity to do their part. So in October can be understood and enjoyed as a post-encompassing conspiracy, related in no small way to another conspiracy occurred randomly in a not so distant October. And although not by chance referring to those Octobers in which stormed the town as the protagonist, the 1917 and 1945 - it is impossible to think of revolution, which resonates in the very name of this month. Of course the same Biasotto states, both personally and chat scene, the title should be the month in which began the search that led to this show, but is it true? "He tells me in response or as quoted what was said in the play? While the billboard
alternative circuit provides increasingly find jobs that can sense, when there is no evidence-even the attempt to achieve results, Luis Biasotto proposed in October, but are not an informer, as an excuse to take a group embarked on this attempt and, instead, get him a result he did not know when you start the creative process, but that was thanks to the confidence that he and his team have had on the seriousness of your search. FIGHT
Bordegaray
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