Individual Investor In Frontier Market

newspaper Clarin. April 24, 2009

http://www.clarin.com/diario/2009/04/24/espectaculos/c -00702.htm

DANCE: INTERVIEW WITH LUIS Biasotto

entertain Banning

presents a play, "October", in which questions about the parameters and contemporary dance.

By: Laura Falcoff

dance there? It seems that yes, the twentieth century has proven to be an independent language with its own specificity, incalculably large and diverse and has the ability to say, or suggest things that other languages-stage could not. However, in different ways and not necessarily new, the dance is often called into question. Luis Biasotto, Cordova and co-director of the independent group known Krapp, embarked on its own the gestation of a show that follows this path: it is called in October (Thursday at 21 at the Cultural Center of Cooperation) and although it was produced with a grant from Prodanza-agency of the Government of the City that supports independent dance-no, before our eyes, a dance production. Biasotto, in any case, presents a reflection about the dance.

What
understand how reflection in relation to "October"?

At first, I wanted to depart from my usual sense of a show: do not think a show just for fun, I say this as self-criticism because my spectacles tend to entertain.

I think it was purely commercial entertainment, dance, theater, music contemporary film or do not seek only "entertainment."

I mean the viewer in almost any show is passive, so I thought from what point of view could generate something more reflective, and interested me express what I see happening in dance: what happens when a being created. And there are other points: I did a reading of Heiner Muller in which he speaks of the death of actor, and also Roland Barthes, when dealing with the disappearance of the author. Before, I was in a very French alternative festival and the work I saw there can not be categorized as dance, what happens then when one thinks of a spectacle "Contemporary", and I say in quotes, "contemporary art". Pay the entrance but do not know what you'll see.



Is not a concept at this point, quite outdated?

I tell you what I think, you draw your conclusions. I mean, when you go to the theater pay to see something you probably already know her, in October , no. I dealt with that was not contained in previous newsletters who was going to work or how many people participate.

Why did you call for dancers for a work in which there is no dance?

Because they are the only people who understand me and because they a thoroughness that the actors, at least the ones I know-nots.



Despite this profound reflection of the speaker, the tone of your work is funny.

I do not know, I get well. Is it because I'm from Cordoba.